This simplifies the process of finding the desired film somewhat, but I have still found that it can take a while to dig through. Thankfully, RNI have organised these into folders by film type and then strength. The pack already includes over 180 films, with everything from infrared to slide film included, and this needs to be multiplied by four (and then doubled to include grainy and clean versions). You might be thinking that by including four separate versions of each style, that RNI have created a very large pack of styles. As we’ll see below, some of the styles are very heavy-handed. This helps me to judge how much the style will affect my images. I have found myself looking at these values as weak, medium, strong and very strong, rather than their numerical equivalents. While not as nuanced as the Lightroom method, it does provide us with a way to taper the effect of a given style. When it comes to fading, RNI has provided a similar feature by producing each style in four different strengths. Unfortunately, these two features cannot be implemented in Capture One. Two of the major features that RNI touted with their release of All Films 5 for Lightroom were the in-built highlight protection that mimicked the roll-off of film highlights and the ability to fade the strength of each preset using a slider. Still, RNI have managed to create a quality set of styles using these. As we’ll see, they’re not quite as flexible as Lightroom’s Camera Profiles. This works in a similar way to the existing camera profiles that Capture One has built-in. However, Capture One does not allow this and, thus, RNI had initially stated that it would be difficult to port the presets to Capture One while maintaining the level of quality they demanded.Įventually, they found a workaround in using ICC profiles to affect colour in Capture One. These allow a preset to completely take control of every aspect of the image processing pipeline and affect the way a raw file is interpreted. With the Lightroom version of All Films 5, RNI were able to take advantage of Adobe’s powerful Camera Profiles.
How does All Films 5 work in Capture One? None have any further refinement of colour so you can see a close representation of what you will get by simply using All Films 5. I adjusted exposure, white balance and then clicked the preset for each of these. In addition, all the photographs here are one-click edits. Rather than rehash the features and talk about what’s included, here we’ll focus on the main differences with the Capture One Version. If you are unfamiliar with what All Films 5 is, I recommend reading that review first. I had the pleasure of test-driving All Films 5 for Lightroom back in 2019 and much of what is true about that pack stands for the Capture One version as well. Previously only available for Lightroom, RNI have recently completed their Capture One versions ( Lite / Pro), which we’ll look at today. This is especially true of their most recent pack, All Films 5. Really Nice Images have made a name for themselves by producing high quality presets that emulate the look of many classic film stocks. While they can be extremely useful, the quality of many presets sold online is questionable.
#Capture one pro presets software
For many of us, presets in our software are a great way to get started with processing our images, get an idea of where we might like to take an image or create a consistent look to a collection of images.
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